Feten Ridene Raissi
ESAC Gammarth, Carthage University, Tunisia
Abstract
Having always distinguished the
intense connection between myths and realities in the universal unforgettable
masterpieces of the 7th art, we chose to study this duality in the three most
famous feature films of the Italian director Federico Fellini.
In La Dolce Vita, Otto & Mezzo and Amarcord, Fellini always sailed
between the palpable and the phantasmagorical.
In this article, we will try to decorticate
this complementarity, by attempting to clarify what Fellini tries to convey to
the audience as a real fantasy.
Keywords: Fellini,
Italian Cinema, La Dolce Vita, Otto & Mezzo, Amarcord, Real, Evident,
Concrete, Palpable, Mythological, Phantasmagorical, Oneiric, Dream
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