Feten Ridene Raissi
ESAC Gammarth, Carthage University, Tunisia
Abstract
Reflecting the Arabic social reality in
the film industry has been the main focus of some Arabic cineastes, namely the
Tunisian ones.
Whether short or long, professional or
hobbyist, Tunisian movies endeavoured to cope with the forbidden trinity,
composed of political, sexual and religious axes of criticism which have been
mostly rejected due to the political authorities’ domination.
This study sets out to probe the partial and
total rejections of scripts by focusing on Nouri Bouzid’s case.
This choice is stimulated by the magnitude of
Nouri Bouzid‘s interviews, in which he has mentioned many of his movies and
script examples that were navigating between conditioned advents and
censorship’s extinction.
No comments:
Post a Comment