Insaf Khémiri
University of Sousse, Tunisia
Abstract
With reference to Sophie El Goulli’s Hashtart: A la
Naissance de Carthage, the present paper will examine the Goddess religion
of North Africans, mainly Numidians and Carthaginians, focusing on the
rhizomatic model of the Great Mother archetype: Tritonis, Neith, Tanit, and
‘Hashtart.’ The Tunisian writer, Sophie El Goulli celebrates the Punic culture
founded by Elissa and inspired by the transformation of Hashtart and the
renaissance of the Goddess ‘Tanit’ to unite Numidians and Phoenicians. The rhizomatic
character of these pagan goddesses facilitates religious syncretism and allows
for building inclusive communities. In an attempt to defend their cultural
heritage and resist appropriation, native people cross religious borders and
recreate religious symbols, deities, myths, and traditions. Moreover, since
religion has been employed to condemn women as inferior to men and, thus, keep
them subjugated to the rules of their patriarchal societies, Goddess worship
reemerges to defy this ‘patriarchal masculinity’ and spread the Feminine
principle to heal both men and women.
Keywords: Goddess
Archetype, the Feminine, Great Mother, Tanit
No comments:
Post a Comment