Mothers in
Masquerade: Objectification and Theatricality in the Poetry of Anne Sexton and
Sylvia Plath
Najoua Stambouli
University of Sousse, Tunisia
Abstract
Drawing on John Rivière’s view that female
masquerade could be considered either as submission to dominant social codes or
as resistance to patriarchal norms, my research paper seeks to represent
masquerade as women’s submission to the patriarchal constructions of the
feminine and the institution of motherhood in modern American poetry. My paper
adopts the first view of masquerade and applies it on Sylvia Plath’s
"Lesbos", "Three Women", and Anne Sexton’s «Housewife"
and "Self in 1958". Indeed, mothers who live to the American ideals
of womanhood and motherhood usually enact the masquerade of the ideal mother in
order to represent a good self image and, hence, to gain social acceptance.
Yet, by putting on the mask of the good traditional mother masquerade turns
them into submissive women or rather objects with no identities and no wills.
My study, which explores the constructedness of mother identity in modern
American literature, describes how masquerade exposes mothers’ objectification
and victimisation. It illustrates how masquerading mothers are objectified as
spectacle and gives an insight into the motif of theatricality to convey by
that the concept of masquerade. My research paper also shows how disguised
mothers use authentic voices to react to the inauthenticity of their mothering
experiences and to the artificiality of the ideal mother image.
Keywords: masquerade, motherhood,
objectification, theatricality
No comments:
Post a Comment