Nawel Zbidi
University of
Sousse, Tunisia
Abstract
Diana Abu Jaber’s Crescent (2003) is a postmodernist Arab American
novel that sheds light on the multicultural encounters in modern America. It
highlights the different dichotomies surrounding various ethnic communities in
a way to transcend them and to build cultural bridges. It seeks to forge a hybrid
cultural integration and to promote understanding among separate ethnic groups
living in the America. Generic transgressions of conventional storytelling are
manifested in various ways in the novel such as the merging of fact and fiction
and the mingling of literary genres. All these references are incorporated into
the texture of the fairytale story and the main fictional story that go simultaneously
in the novel. Like most postmodernist writers, Abu Jaber challenges the ideas
of binary oppositions, disconnected boundaries and stable identities. She
experiments with intertextuality, fragmentation, manifold narratives and
narrators and various literary allusions. Through resorting to different
discourses in this multilayered text, she creates what Bakhtin calls a ‘polyphonic’
text.
Keywords: Generic transgressions, Postmodernism, Fragmentation,
‘Heteroglossia’, dialogism, polyphony
No comments:
Post a Comment