To Go
in Order to Come Back: A Comparative Analysis of Wooden Fish Songs and The House on Mango Street
Xiaoxue (Wendy) Sun
Loyola Marymount University, USA
Abstract
Each ethnic text carries its own unique
force. A glimpse of the otherness of the other can produce new perspectives on
our own faces in the great mirror of culture. Though different in culture and
ethnicity, Sandra Cisneros and Ruthanne Lum McCunn share the same confusion
about their multicultural identity. Their works both focus on the themes of
cross-cultural gender tension, identity shaping and community building. McCunn
concludes that individuals can only thrive if they inherit and understand their
own culture. Afterwards, they should cross-pollinate their own tradition with
new perspectives from other cultures. Cisneros emphasizes the role of writing
for female achievement, and proposes that after personal success, one should
come back to their community and help others who were left behind.
The world of Wooden Fish Songs and the
world of The House on Mango Street seem completely different, yet both works
echo the same challenges and deserve comparative attention. Former scholars
were influenced by the idea that the East/West comparison is impossible, since
it is believed that the philosophical and interpretative discourse governing
one of those worlds are untranslatable and cannot be successfully applied to
the other world. This is maybe the reason why previous critics have only
focused on their works separately. This essay compares the two works through
close reading. It discusses their role as ethnic authors, and concludes the
importance of comparative studies of the works of women of color.
Keywords: cross-cultural gender tension,
identity shaping, community building, women of
color, ethnic author
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