Angela Carter’s Nights at the Circus: a
Historiographical Perspective
Wiem Krifa
University of
Sousse, Tunisia
Abstract
Nights at The Circus (1984) is a provocative novel, written by the
British writer Angela Carter. It is a feminist postmodern work which combines
fantastic events, to convey historiographical happenings. Contrary to the
postmodern critics who advance the principle of death of history, feminist
postmodernists tend to reassess history, from which they were excluded, by uniting
fantasy and history. Historiographical metafiction is an attempt to rewrite
history from a female critical angle. In Nights at The Circus, the narrative
tracks back the past historical events of the 1890’s, with an endeavour to plan
a more successful female future. Carter’s dealing with history implies a corrective
political undertone that pays tribute to the marginalized females. The
postmodern herstoricism is intermingled with fantasy to inscribe a more even
history.
As an example, we can take the character of Fevvers in Nights at The
Circus who evokes Margaret Thatcher: The iron Lady. This example is used to
introduce hidden historical truths. Fevvers with her fantastic wings is the
symbolic "New Woman" of the late 19th century who seeks to enjoy her
economic, social and civil rights. She unveils the historical and political
atrocities imposed on women, and deconstructs the patriarchal identity. Through
the female herstoricism, Fevvers mould and reconstruct "The New Man"
who can fit "The New Woman”. Walser, the journalist who embarks on writing
the biography of fevvers is deployed by her to integrate into history, all the
female tales that have been erased from the bygone historical records.
Throughout the whole novel, fevvers cherishes her clock as the emblem of history.
When she loses it during the train crash, she lives the Siberian experience,
which is depicted by her, as being before history. For Fevvers, as a female
representative, history is vital, consequently should be revisited to incorporate
women into it.
Key words: feminism, postmodernism, historiography, herstory, fantasy