Hearing the Wound: Testimony
and Trauma in Assia Djebar’s La Femme sans Sepulture (The Woman
without a Grave)
Abstract
Traumatic legacies, when unaddressed,
continue to haunt the psyches and cultural collectives not only of survivors,
but also of subsequent generations. As these legacies are transmitted across
multiple generations, they inevitably return and disrupt human bonds. Testimony,
in its curative capacity, allows recovery from the traumatic event. In the
Algerian context, however, because the historic accounts of war have undermined
the trauma that women experienced, by simply excluding them from any public
discourse, the possibility of testimony for the victimized women was thwarted,
and with it the ability of working through their trauma and recovering. In La Femme sans Sépulture (2002), Assia Djebar, the Algerian female
writer, is concerned with this lingering wound of war and how to break
history’s great silence over its devastating effects on women’s lives. Through
the fictional world it created, her story offers a plethora of testimonies,
released from bodily or psychic wounds, all female and trans-generational,
concerning the female traumatic experiences of violence and death. The heroine
Zoulikha, killed but never found or entombed, parades the story as a ghost that
is conjured up by a number of female characters who, in their need to resurrect
her, give voice to their missing testimonies that
have been for so long muted or muffled. This paper will investigate the extent
to which storytelling can ensure working through trauma and promote
trans-generational psychic healing.
Keywords: trauma, testimony, female storytelling, memory,
Algerian war of independence
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