Violence as the Abject in Iraqi Literature: Ahmed
Saadawi’s Frankenstein in Baghdad and Mary Shelley’s Frankenstein
Bushra Juhi Jani
University
of Sheffield, UK
Abstract
This
research examines how violence is represented as the
Abject, as described by the theorist Julia Kristeva, in Powers of Horror, in
Frankenstein in Baghdad, an Iraqi version of Mary Shelley’s novel by Ahmed
Saadawi. This novel
has a drunken scavenger who collects the body parts of those killed in
explosions and stitches them together to form a body. The figure is then
inhabited by a displaced soul who begins a
campaign of revenge against those who killed the parts constituting its body.
I argue that this
monster embodies the Abject, moral pollution or “death infecting life.” It is
the power of terror. I show how Saadawi’s “the what’s-its-name”, which is how
the monster is referred to in the novel, is different from Shelley’s monster,
since it has no redeeming human features which we can sympathise with. This
essay shows how the violence of war is presented as dehumanizing in Saadawi’s
novel. I closely examine how people in the story lose their humanity and become
part of a monstrous reality, living off corpses; how the novel shows that
terror is an unstoppable violence that renews itself by creating more violence;
and how it suggests that violence can never be stopped unless people reject
terror and bury hatred, in order to have an agreed system and order: that a
shared humanity can only be restored when we reject and bury the Abject.
Keywords:
Violence, Abject, Monster, War, Guilt, Innocence,
Mass Media, Salvation
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