Narcissistic Narrative: the Narrative and its Diegetic
and Linguistic Masks
Rabeb Ben Hania
University of Sousse, Tunisia
Abstract
This paper examines the theoretical
underpinnings of narcissistic narratives or metafiction. This form of narrative
foregrounds an intense awareness of the literary alteration of paradigms as
well as the theoretical problematization of the narrative ontological status. This
kind of texts is aware of itself as narrative or artifice, and of its
functioning and its mechanisms of construction, of its past conventions and its
mutation, and of the contentious processes of production and reception of
fiction. The metafictional text follows critically and self-consciously the
tracks of the overall history of literary composition and criticism and of its
own metamorphoses from the past till the present moment taking as its main
challenge and aim the exercise of self-exposition, self-criticism and
self-evaluation. One of the main premises of narcissistic narrative is tracking
the literary trajectory from "art conceals" to "art
reveals" through mainly making recourse to parody and parodic strategies.
All the previous diegetic and linguistic masks have become not only exposed and
dropped down but also and more importantly questioned and criticized.
Key words: Metafiction,
narcissistic narrative, linguistic identity, diegetic identity, diegetic narcissism,
linguistic narcissism, parody, mise en abyme, intertextuality,
self-reflexivity
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